Dragging Talia Along as Part of My NaNoWriMo Update
Goodness the month is moving by WAY too quickly. We are past the half way mark and thank goodness I’m at least halfway in my word count. Currently I’m at–22,730. A bit behind where I should be, but I’m just happy to be moving forward.
I have to admit that I haven’t written with complete abandon this month. Whether that is good or bad is still yet to be seen, but words are getting written. There have been several epiphanies this month.
- I think way too much about my readers while I’m writing. Although this is good on one level, I really need to block you guys out while I’m drafting. All month I’ve been sick with worry. This story is by necessity slower paced than The Magic Wakes and I’m scared that the readers who found TMW a slow start will not enjoy SFK. This one is more about the journey, the learning, the trial and error of problem solving. A touch more on the science side, but still a good dose of fantasy elements. Less romantic tension since SPOILER ALERT Talia and Landry married at the end of TMW, but they married quickly and now have the problem of learning how to live together while all this other crap is going on around them. The conflicts are more internal than OMGosh someone is trying to kill us! Although there are a few moments of that too. 🙂
- Search for Knowledge is not really about Talia. She’s there, but Landry is filling the spotlight a bit more this go around. This is fine, and originally (when I was still writing in first person) this book was going to be from his point of view. The surprise is how much more this book is about the two worlds–Sendek and Orek. Their parallels, their differences, their ultimate destinies on the line.
- This means more attention to world building and details. Which means in turn I can’t count on my dialogue filling the word count. It takes more time to really think things through–why would they do that instead of just…? I’m trying really hard to make sure I’m not just taking the easy route or having my characters do something because that’s what I need them to do. The trick is making sure my reasoning filters through to the reader somehow. I had solid reasons for everything in The Magic Wakes, but it didn’t come through and leaving many readers questioning. And not in a good way.
- Adding enough well developed characters to make the story work without overwhelming the reader with too many characters is hard! Complex stories need lots of players. I’ve already combined two of my new characters into one.
- Dreaming up scenes before I sit to write is still my best method. Once I can see it all played out in my mind I can at least get the “scripting” details on the page. Then I can go back and fill in the good stuff.